CymaSpace x PICA TBA Festival 2019 on Sept 12th

Join CymaSpace for an evening of immersive visual sound art at PICA Time Based Arts Festival (TBA 2019).

EVENT DESCRIPTION
Leading Deaf musician, artist, and advocate Myles de Bastion and the CymaSpace production team collaboratively curate a night of experimental music and sound that centers Deaf and Disabled artists and audiences. Through visual, vibrational, light-based, and other immersive and multi-sensory interpretations and displays of sound, this night of performances will create multiple modes and nodes of access for Deaf and Hearing audiences alike, expanding our notions and perceptions of artistic and experiential possibilities for music and sound art.

ACCESSIBILITY
ASL interpretation, captioning, and other forms of accessibility and accommodation will be provided. Audiences are encouraged to contact the TBA Box Office in advance to request any additional access or accommodation needs.

Discounts or complimentary tickets can also be arranged via our Box Office for members of the Deaf and Hard of Hearing community.

Box Office: 503.224.PICA (7422) or
BoxOffice@pica.org

ABOUT THE ARTIST
Myles de Bastion develops technology and art installations that enable sound to be experienced as light and vibration. His work has appeared in the Oregon Museum of Science & Industry, Portland Art Museum, and on the Jimmy Kimmel Live! Show. He has built large format installations for music festivals and Grammy-award winning jazz artist Esperanza Spalding.

Myles is the founder of CymaSpace, a non-profit that facilitates cultural events inclusive of the Deaf & Hard-of-Hearing; and Audiolux Devices, which produces products featuring light and sound synergy. 2018 Director of the first Northwest Deaf Arts Festival. Myles mentors Deaf & Hard-of-Hearing youth, has developed curriculum, and taught workshops in music and sound for Deaf schools, camps, and communities.

A current project, The Ikigai Machine, is a multimedia
visual narrative with interactive installations and live performances that he is developing into a feature-length, touring production for disability hubs and art institutions. Myles has received support from Regional Arts & Culture Council, Oregon Arts Commission, Oregon Cultural Trust, Oregon Cultural Foundation, and Randall Charitable Trust.